A Guide To Music Intervals: The Gaps Between The Notes

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In this guide to music intervals, we’re going to cover what intervals are in music.

We’ll look at all the different ways to categorise them and name them, plus we’ll look at the building blocks of intervals: semitones and tones (or half steps and whole steps for our American friends).

What is a music interval?

An interval in music is defined as a distance in pitch between any two notes.

The larger the interval between two notes, then the greater the difference in pitch between the notes.

And vice versa, the smaller the interval between two notes then the smaller the pitch between the notes.

There are three parts to the way we describe an interval:

Before we talk about those though we’re going to cover the two smallest types of interval: semitones and tones.

What are semitones and tones?

Semitones and tones are the building blocks of intervals and scales.

We use different combinations of semitones and tones to make up all the different types of scales in music.

To read more about scales check out our beginner’s guide to music scales here.

Semitones: The smallest possible interval

The smallest possible interval (in western music anyway) is a semitone, or in the US it’s called a half step.

A semitone is the very next higher or lower note. For example, from E to F or from C to C sharp (C#) on a piano keyboard.

Semitone intervals

There are two types of semitones to know about:

  • Chromatic semitones
  • Diatonic semitones

What are chromatic semitones?

Chromatic semitones are when you have a semitone interval where both notes have the same letter name.

For example, C to C# and Gb to G are both chromatic semitones.

Examples of chromatic semitones (half steps)

This is where we get a chromatic scale from. A chromatic scale has twelve notes in and each note is a semitone higher than the last.

What are diatonic semitones?

Diatonic semitones are when you have a semitone interval where the two notes are different letter names.

For example C to Db or F# to G.

Examples of diatonic semitones (half steps)

Chromatic semitones and diatonic semitones are the same actual notes though. But, they are an example of what we call enharmonic equivalents.

What is an enharmonic equivalent?

An enharmonic equivalent is just another name for the same note. For example D flat is the same note as C sharp. It’s just a different way to look at it.

Examples of enharmonic equivalents

Anyway, now we’re going to have a look at tones.

What are tones (whole steps)?

The word ‘semi’ means half (it’s the same semi that we get semiquaver from which is ‘half’ of a quaver) so we could think of the word semitone as ‘half a tone’.

A tone or ‘whole step‘, therefore, is an interval of two semitones.

Examples of tones (whole steps)

What do we use semitones and tones for?

Semitones and tones are used for lots of different things in music.

We use them to:

  • form musical scales
  • work out intervals

For example, a major scale is made up of a certain combination of semitones and tones, that sequence is:

Tone, Tone, Semitone, Tone, Tone, Tone, Semitone

To read more about how we use major scales click here.

Names of the intervals

Now that we know about the two smallest intervals, semitones and tones, we can start looking at some larger intervals and how we describe them.

We describe intervals using numbers depending on how many letter names of the musical alphabet there are between the two notes.

For example, the notes C and D are two letter notes apart and so is an interval of a 2nd.


But if we look at the notes C and E they are three letter notes apart and so this interval is a 3rd.


The notes C to F are four letter notes apart and so would be a 4th.


This just carries on, C to G is five letter notes and so would be a 5th.


C to A is six letter notes and so would be a 6th.


C to B is seven letter notes and so would be a 7th.


What is an octave?

Lastly, C to the C above it is eight letter notes and so is an interval of an 8th.

We can refer to this interval is an octave or 8ve as well. They all mean the same thing.

The shape octagon has eight sides and the interval octave is eight notes higher.

What is a unison interval?

We can also have intervals that are the same note. For example, two different instruments might play exactly the same note in a piece of music.

Unison intervals

This interval is called a unison.

When we write a harmonic unison interval (more on harmonic and melodic intervals shortly) we write the notes next to each other.

I’ll explain this in the chapter on harmonic and melodic intervals though.

Interval quality: major, minor, perfect, augmented and diminished

Now we’re going to cover the interval quality. As we don’t just refer to intervals with the number, we also refer to the type of interval.

I’ll explain why we need to distinguish the interval quality with the example below. Both of these intervals are a third:

Intervals of a 3rd

In the first example, C to Eb is three letter notes: C – D – Eb and so is a 3rd.

But in the second example, C to E natural is also three letter notes: C – D – E and so is a third.

We refer to the type of interval (quality) to differentiate between them both.

What are the types of interval quality?

There are five different types of quality of interval which are:

  • major intervals
  • perfect intervals
  • augmented intervals
  • minor intervals
  • diminished intervals

We’ll go into them now and I’ll explain how to know or work out which of these five types any given interval is.

Major and perfect intervals

To explain major and perfect intervals we’re going to look at the major scale. Every note in it is either a major interval or a perfect interval (starting from the tonic note).

The major intervals are:

  • 2nds
  • 3rds
  • 6ths
  • 7ths

And the perfect intervals are:

  • unison
  • 4th
  • 5th
  • octave (8ve

Here’s F major scale with the major and perfect intervals marked:

This is the case for every major scale, not just F major.

If the lower note is the tonic and the upper note is in the major scale, it will always either be a major or perfect interval.

Augmented intervals

An interval becomes augmented when we extend a major or perfect interval by one semitone without changing the letter name.

So if we took a major second like F to G and made the G a G#, then we’ve made the interval wider by one semitone and so it’s not an augmented 2nd.

Major 2nd and augmented 2nds

It’s the same with perfect intervals, for example, the interval F to C is a perfect 5th but if we make it F to C# then it’s now an augmented 5th.

Perfect 5th and augmented 5th

So here is F major scale again but with all the notes raised by one semitone and they’re now all augmented intervals.


Minor intervals

If we take any of the major intervals we looked at above and make them smaller by one semitone then they now are minor intervals.

For example, if we took C to E which is a major 3rd and flattened the E to make it an Eb, it now becomes a minor 3rd.

Major 3rd and minor 3rd

Because there are only four major intervals there are also only four minor intervals possible which are:

  • minor 2nds
  • minor 3rds
  • minor 6ths
  • minor 7ths

Here is our F major scale again but with the 2nd, 3rd, 6ths and 7th notes flattened to become minor intervals.

Minor intervals

Hopefully, you’re wondering what happens if we flatten a perfect interval by one semitone. If we do that then we have made the next quality of interval, a diminished interval.

Diminished intervals

If we flatten any of the four perfect intervals, unison, 4ths, 5ths or 8ves they don’t become minor, they become diminished intervals.

Let’s take the two notes A and D which is a perfect 4th. If we were to flatten the D to make it a Db it would now become a diminished 4th.

Perfect 4th and diminished 4th

We can flatten a minor interval by another semitone and it also becomes diminished.

For example, E to D is a minor 7th, but if we make the D one semitone lower to a Db it then becomes a diminished 7th.

So just remember that:

  • if we flatten a perfect interval by one semitone half step) it becomes a diminished interval
  • If we flatten a minor interval by a semitone (half step) it becomes a diminished interval
  • If we flatten a major interval by a tone (whole step) it becomes a diminished interval

Here is our F major scale again but this time with all diminished intervals.

Harmonic and melodic intervals

As well as categorising intervals into their interval numbers: 2nds 3rds 6ths etc, and by the interval quality: major minor perfect etc, we can also categorise intervals into two other groups:

  • Harmonic intervals
  • Melodic intervals

These types of intervals are not to be confused with harmonic and melodic minor scales, those are totally different but we use the same words.

What are harmonic intervals?

Harmonic intervals are how we describe two notes that are played, at the same time.

They are played in harmony and so are a harmonic interval.

What are melodic intervals?

The opposite of a harmonic interval is a melodic interval which is where the two notes are played one after the other.

They are part of a melody and so are a melodic interval.

Conclusion

That about sums up musical intervals for now. I’ll be updating this post with some more examples when intervals can get a little bit more complicated with double flats and double sharps and key signatures.

For now though if you have any questions just post a comment below and I’ll get back to you or you can check out some of our other free music theory guides here.

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