The Circle of Fifths is an incredible tool that has many different uses when it comes to music theory. It can help us with everything from knowing what chord progressions will sound good together to knowing what sharps or flats a key signature has.
In this post, I’m going to give you an overview of this useful musical concept and explain some of the ways that it can help you learn music theory.
What is the circle of fifths?
As the name implies, the Circle of Fifths is a circle that connects all 12 tones used in Western music.
It is a visual representation of the musical relationship between these 12 tones, and helps us identify their corresponding key signatures, and their related major and minor keys.
Building the circle
To build the circle of fifths we place all twelve note letter names around a circle like a clock.
But, rather than putting them in order from A – G, each of the notes are separated by intervals of perfect 5ths.
We start with the note C at the top of the circle (where 12 would be on a clock face).
We then add the next note in the circle by adding a note to the right of C (where 1 would be on a clock face) that is an interval of a perfect 5th above C.
Going up a perfect 5th from C we reach G and we carry on clockwise around the circle adding the note a perfect 5th above.
Up a perfect 5th from G we reach D, then A, then E, then B, then F#.
We could carry on going up perfect 5ths from F# to C# and then C# to G# but there is an easier way.
We can go back to the C at the top in the middle and this time go down a perfect 5th and write notes in to the left of C.
To work out what note is a perfect 5th below C we can go down 7 semitones (half steps).
Seven semitones (half steps) down from C is F so we can add the note F in next to C (11 on a clock face).
We can then continue adding each note a perfect 5th below the previous note.
A perfect 5th below F is Bb, Bb to Eb, Eb to Ab, Ab to Db and finally from Db to Gb.
Side note: F# and Gb are what we call enharmonic equivalents which is just a fancy way of saying they’re the same but with different names. So you’ll often see both notes at the bottom of the circle of fifths.
How to remember the circle of fifths
Now that we’ve built a circle, we have to remember it, other than just memorising it through sheer repetition.
We can do this in a few ways.
The best way is through a mnemonic device – we create a sentence with the first letter of each word starting with a new note in the circle.
For example: Charles Goes Dancing At Every Big Fun Celebration.
The first letter of every word (C – G – D – A – E – B – F – C) follows the Circle of Fifths, starting at the top C and going right (the last two notes here are technically F# and C#, remember).
This also represents the order of key signatures that have sharps (#) in them – C has 0 sharps, G has 1 sharp, D has 2, etc. all the way to C#, which has 7 sharps.
Starting at C and going the other way (to the left), we have the mnemonic example: Charles Falls Behind Everyone At Disc Golf Courses.
Going this way, we have the notes C, F, Bb, Eb, Ab, Db, Gb, and Cb, which are also in order of how many flats they have in their key signatures: C has 0, F has 1 flat, Bb has 2, … and Cb has 7 flats.
However, as shown in the picture above, some of these keys are enharmonic equivalents.
Cb = B, Gb = F#, and Db = C#.
This is something to look out for when memorizing the mnemonic sentences.
How to use the circle of fifths
The circle of fifths has a number of very handy uses. Now I’ll cover a few of the things we can use it for.
Working out key signatures
Just like we noticed in the two sentences above, the farther you go down on the right side of the clock, the more sharps you have in a key, and the farther you go down on the left side the more flats you have.
The top of the Circle has 0 flats or sharps – C Major.
Going down the right side, you gain one sharp to your key signature every note for the first seven notes (you can only have at max 7 sharps or flats in any key signature).
Going down the left side, you gain one flat to your key signature for the first 7 notes.
Working out the relative major and minor
If you’re in any key, you can use the Circle of Fifths to figure out the relative major and minor of that key.
If you start in a major key, to find the relative minor key you go to the right 3 spaces in the circle.
For example, if your key is C major, you go right 3 spaces (C – G – D – A) to get A, so the relative minor of C major is A minor.
If you’re in E major, your relative minor is C# minor; if you’re in Ab major, your relative minor is F minor.
And vice versa, if you’re in a minor key and want to find out the relative major, just go to the left 3 spaces.
For example, C minor to the left for three spaces (C – F – Bb – Eb) is Eb major.
If you’re in B minor, the relative major is D major; the relative major for Ab minor is Cb major.
See if you can write out the relative major and minor of each key.
Chords to Use in a Song
These days, most modern pop songs tend to use four chords to make their harmonies and melodies.
These four chords are easy to find on the circle of fifths.
In a major key, you start with the key that you’re in (for example, A major).
Then you also use the relative minor (3 spaces to the right).
In A major, this would be F# minor.
Then you add the keys on either side of your main key (one space to the right and left).
So in A major, you would then get D major and E major.
And there are your four chords: A major, D major, E major, and F# mino.
In C major, your four chords for a song are: C major, F major, G major and A minor.
You’ll know be able to play a lot of different songs. This video by comedy musical act Axis Of Awesome demonstrate how great these four chords are. (Warning: contains some bad language).
Try figuring out the pop chords for all of the other keys!
Other Interesting Uses
There are some other interesting ways we can use the circle of fifths.
For example, if you move two spaces to the right, you have stepped up one whole tone. E.g. from C two to the right gets you D, which is a whole tone above C.
From this you can make the whole tone scale – just go two spaces to the right each time: C – (skip G) – D – (skip A) – E – F# – Ab – Bb – C.
Another cool feature is you can figure out what a tritone interval is for each note.
A tritone is 6 semitones (half steps) away from a note.
To figure this out using the circle of fifths, just take any note (e.g. Db) and go directly opposite that note on the circle (or move over 6 spaces).
The note opposite Db is G, so G-Db is a tritone interval.
The C at the top of the clock is opposite the F#/Gb at the bottom of the clock, so C-F# is a tritone.
That’s all for the Circle of Fifths!
There is a lot of cool stuff to learn and understand about its uses, so take your time, write it out yourself on a piece of paper, and see all of the interesting relationships between the notes and chords for yourself.
This is one of the most fundamental and helpful tools in all of music theory, and it basically defines harmonic progressions for most contemporary music like pop, rock and jazz.
We hope you were able to learn something about the circle of fifths.